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Bill Moyers is a well-known journalist who has been involved in theater for much of his professional life. In fact, he began his career in broadcasting as a producer and director of public affairs programs for WGBH-TV in Boston, where he helped to launch two groundbreaking series that combined journalism and the performing arts.

The first of these was the weekly television show "Ellis Island," which explored the lives of immigrants who came through the famous New York City port of entry between 1892 and 1954. The show featured dramatic reenactments of key moments from immigrant stories, as well as interviews with historians, sociologists, and other experts who shed light on the broader social and political context of immigration.

Moyers followed up this success with another hybrid program, this one called "Creativity." This series focused on the world of art, literature, and music, and sought to explore the links between creativity and social change. Like "Ellis Island," it made use of dramatic performances to bring to life the works of artists like Pablo Picasso, James Baldwin, and Leonard Bernstein.

Later in his career, Moyers continued to champion the arts as a force for social justice and transformation. He produced several documentaries about issues like poverty, war, and racism, and worked to bring attention to the ways in which art and performance could be used to create more inclusive and progressive societies.

One of his most notable projects in this vein was the 2006 play "Sister Aimee," which he co-wrote with playwright and activist Emily Mann. The play tells the story of Aimee Semple McPherson, a pioneering female evangelist who became a media sensation in the early 20th century. Through a mix of monologues, songs, and multimedia elements, the play explores themes of faith, gender, celebrity, and the power of the media.

Throughout his long and storied career, Bill Moyers has shown a deep commitment to using the power of theater and performance to illuminate important social issues and inspire audiences to action. Whether through documentary film, television, or live theater, he has demonstrated a singular creative vision and an unshakeable belief in the transformative potential of the arts.

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