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Robert Pinsky, a renowned poet and former Poet Laureate of the United States, has had a long-standing relationship with theater. Throughout his career, he has collaborated with numerous playwrights and directors to bring his poetry to life on stage.

One of Pinsky’s early collaborations with theater was with the New York Shakespeare Festival in the early 1990s. He worked with director JoAnne Akalaitis to create a theatrical production based on his poem “An Explanation of America.” The play, titled “A Play of Giants,” explored the mythic dimensions of American history and identity through the lens of Pinsky’s poetry.

Pinsky also co-wrote (with Laurence Klavan) the libretto for a critically acclaimed opera called “The Wanton Sublime,” which premiered in 2014 at the Los Angeles Opera. The opera, composed by Tarik O’Regan, tells the story of a woman named Rosa who is haunted by the ghost of her dead lover.

Pinsky’s most recent collaboration with theater is a one-man show called “PoemJazz.” In this performance, Pinsky reads his poetry while accompanying himself on the saxophone, creating a unique blend of spoken word and music. The show has toured extensively throughout the United States and Europe, receiving enthusiastic acclaim from audiences and critics alike.

Throughout all of these collaborations, Pinsky has remained committed to the idea that poetry and theater share a deep connection. Both forms of art, he argues, involve the careful crafting of language to create an emotional impact on the audience. For Pinsky, poetry and theater are both about engaging with the human experience and exploring the mysteries of existence.

Overall, Robert Pinsky’s collaborations with theater have been marked by a deep respect for the art form and a desire to push the boundaries of what is possible. Whether working with directors and playwrights or performing solo, Pinsky brings a sense of innovation and experimentation to his work that has made him one of the most interesting voices in contemporary American poetry.

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