Music
The year 2017 marked the 150th anniversary of Canada's Confederation, a milestone celebration that was commemorated with numerous events and festivities. One such event was the Canada 150 Symphony, which saw the union of various classical performances to celebrate Canada's diversity, talent, and cultural heritage.
Classical music is an art form that has existed for hundreds of years, standing the test of time and inspiring musicians and audiences alike. Over time, classical music has continued to evolve and adapt, and today it remains an important part of cultural expression in many parts of the world, including Canada. This is why the Canada 150 Symphony was such an important event, bringing together some of the best musicians from across Canada to honour the country’s rich musical heritage while showcasing its incredible contemporary talent.
The Canada 150 Symphony was an ambitious project that took years of preparation and planning. In all, the performance featured over 400 performers, including orchestras, choirs, soloists, and dancers, who worked tirelessly to put on a show that would capture the essence of Canadian cultural diversity while paying homage to classical traditions. The performance took place at the National Arts Centre in Ottawa, a fitting setting for such a momentous occasion, and was broadcast nationally and internationally, allowing audiences worldwide to experience the beauty of Canadian music.
One of the highlights of the Canada 150 Symphony was its emphasis on contemporary classical music. While traditional pieces were still performed, the concert also featured new works that celebrated Canada’s modern identity. For instance, the world premiere of “Anthems and Antitheses,” composed by Zosha Di Castri, was a standout moment, blending electronic beats, classical instruments, and live singing to create a unique sound that captured Canada’s diversity and modernity. Another notable piece was “Pellucidar," which was written by Jordan Nobles and used water percussion instruments to create soothing and ethereal sounds.
Additionally, the Canada 150 Symphony was a reflection of how classical music has adapted to different cultures. Many of the performances were based on Indigenous music and themes, highlighting how classical music can exist alongside and support the musical traditions of First Nations people. For instance, Christos Hatzis’ “Going Home Star - Truth and Reconciliation'' was a powerful piece that explored residential schools and reconciliation. The performance featured Inuit throat singing and Anishinaabe drumming, representing the diversity of Indigenous cultures across Canada.
In conclusion, the Canada 150 Symphony was an exceptional event that celebrated Canada's rich cultural heritage through classical music. From traditional pieces to modern compositions, the concert showcased Canada’s diverse talent while recognizing what truly unites us all: our love for music. By blending classical tradition with contemporary styles and Indigenous music, the event demonstrated how classical music can remain relevant and meaningful in a rapidly changing world. As we celebrate Canada’s 155th anniversary this year, the Canada 150 Symphony serves as a reminder of the importance of music in our lives and how it can connect us across generations and cultures.